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Sh-Boom. " Sh-Boom " (" Life Could Be a Dream ") is an early doo-wop song by the R&B vocal group The Chords. It was written by James Keyes, Claude Feaster, Carl Feaster, Floyd F. McRae, and William Edwards, members of The Chords, and published in 1954. It is sometimes considered the first doo-wop or rock 'n' roll record to reach the top ten on ...
Put Your Head on My Shoulder may refer to: "Put Your Head on My Shoulder" (song), a 1959 song by Paul Anka, covered by The Lettermen in 1968. Put Your Head on My Shoulder (album), a 1966 swing album by Si Zentner & his orchestra. Put Your Head on My Shoulder (TV series), Chinese drama based on novel by Zhao Qianqian of the same name.
The curved claws can become entangled in carpet or thick fabric, which can cause injury if the cat is unable to free itself. Most cats have a total of 18 digits and claws: 5 on each forefoot (the 1st digit being the dewclaw), and 4 on each hind foot. The dewclaw is located high on the foreleg, is not in contact with the ground and is non-weight ...
Cat People is a 1942 American supernatural horror film directed by Jacques Tourneur and produced for RKO by Val Lewton.The film tells the story of Irena Dubrovna, a newly married Serbian fashion illustrator obsessed with the idea that she is descended from an ancient tribe of Cat People who metamorphose into black panthers when aroused.
Sneed went 4 of 13 from the field and 1 of 7 from 3-point range, but he made all nine of his free throws to finish with 18 points, three rebounds, three assists and five steals. Sneed had 13 ...
The Chords were one of the early acts to be signed to Cat Records, a subsidiary label of Atlantic Records. [2] Their debut single was a doo-wop version of a Patti Page song "Cross Over the Bridge", and the record label reluctantly allowed a number penned by the Chords on the B-side. [3]
32 of the most expensive cat breeds. 1. Ashera. Ashera cat. You heard it here first: the Ashera cat is the most expensive cat money can buy. Coming with an eye-watering price tag of up to $125,000 ...
He gave them two chordal structures, D minor and C seventh chords, and they improvised around these. [9] Scales rather than chords took precedence, maintaining harmonic simplicity and fragmenting the themes. [4] [6] Michelot said in a 1988 interview, "What characterised the session is the absence of a defined theme." [4]