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John Lissauer. " Hallelujah " is a song written by Canadian singer Leonard Cohen, originally released on his album Various Positions (1984). Achieving little initial success, [1] the song found greater popular acclaim through a new version recorded by John Cale in 1991. Cale's version inspired a 1994 recording by Jeff Buckley that in 2004 was ...
Mervyn Warren. " Hallelujah! " is a 1992 song from Handel's Messiah: A Soulful Celebration, a Grammy award winning Reprise Records concept album. The song is a soulful re-interpretation of the "Hallelujah" chorus from Messiah, George Frideric Handel 's well-known oratorio from 1741. It is performed by a choir of all-star gospel, contemporary ...
Glory, Glory (Lay My Burden Down) " Glory, Glory " (also known as "When I Lay My Burden Down", "Since I Laid My Burden Down", "Glory, Glory, Hallelujah" and other titles) is an American spiritual song, which has been recorded by many artists in a variety of genres, including folk, country, blues, rock, and gospel.
“Hallelujah: Leonard Cohen, a Journey, a Song” is a documentary about the Leonard Cohen song “Hallelujah,” and if that sounds like a lot of movie to devote to one song — well ...
Nobody Knows the Trouble I've Seen. " Nobody Knows the Trouble I've Seen " is an African-American spiritual song that originated during the period of slavery but was not published until 1867. The song is well known and many cover versions of it have been done by artists such as Marian Anderson, Lena Horne, Louis Armstrong, Harry James, Paul ...
Raise a Hallelujah. " Raise a Hallelujah " is a song by Bethel Music, Jonathan David Helser and Melissa Helser, which was released as the second single from Bethel Music's eleventh live album, Victory (2019), on March 8, 2019. [1] The song was written by Jake Stevens, Jonathan David Helser, Melissa Helser and Molly Skaggs. [2]
Handel's Messiah: A Soulful Celebration is a gospel album by various artists, released in 1992 on Warner Alliance.Executive produced by Norman Miller, Gail Hamilton and Mervyn Warren, it is a reinterpretation of the 1741 oratorio Messiah by George Frideric Handel, and has been widely praised for its use of multiple genres of African-American music, including spirituals, blues, ragtime, big ...
The songs instrumentation includes piano, strings and drums as well as hand claps, and the song has been described as being "piano-driven", "stripped down" and "gospel-inspired". On the song, Keys sings "I’ve been praying but I’m paying for my sins" and repeats the line "hallelujah, let me in".
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