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Susan Kare ( / kɛər / "care"; born February 5, 1954) is an American artist and graphic designer, who contributed interface elements and typefaces for the first Apple Macintosh personal computer from 1983 to 1986. [1] She was employee #10 and creative director at NeXT, the company formed by Steve Jobs after he left Apple in 1985.
The complexity of composition increased with the New Wave which transitioned well into computer developed graphic design. Complexity came to define the new digital aesthetic in graphic design. April Greiman was one of the first graphic designers to embrace computers and the New Wave aesthetic is still visible in her digital works.
A Specimen, a broadsheet with examples of typefaces and fonts available.Printed by William Caslon, letter founder; from the 1728 Cyclopædia.. A typeface (or font family) is a design of letters, numbers and other symbols, to be used in printing or for electronic display.
The "Included from" column indicates the first edition of Windows in which the font was included. Typeface Family Spacing Weights/Styles Target script Included from
The Frutiger typeface retrospectively gave its name to the 2000s internet aesthetic Frutiger Aero, because the typeface was used in similar settings to this design style. Frutiger Linotype. This is a version of the original Frutiger font family licensed to Microsoft. This family consists of Frutiger 55, 56, 65, and 66.
Windows Aero (a backronym for Authentic, Energetic, Reflective, and Open) is the design language introduced in the Microsoft Windows Vista operating system.The changes introduced by Windows Aero encompassed many elements of the Windows interface, with the introduction of a new visual style with an emphasis on animation, glass, and translucency; interface guidelines for phrasing and tone of ...
Bauhaus 93. The Bauhaus typeface design is based on Herbert Bayer 's 1925 experimental Universal typeface and the Bauhaus aesthetic overall. The Bauhaus school sought to modernize, unify and standardize design into an idealistic form that would combine function with aesthetics. One aspect of their many proposed reforms was a series of related ...
Bank Gothic is a rectilinear geometric sans-serif typeface designed by Morris Fuller Benton for American Type Founders and released in 1930. [1] The design has become popular from the late twentieth century to suggest a science-fiction, military, corporate, or sports aesthetic. [2] [3] [4] [5]
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