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Tanka. Hyakuninisshu 001. one of the poetry cards from the card game version of the Ogura Hyakunin isshu, a beloved complilation of tanka. Tanka (短歌, "short poem") is a genre of classical Japanese poetry and one of the major genres of Japanese literature. [1] [2] [3]
Haiku ( 俳句, listen ⓘ) is a type of short form poetry that originated in Japan, and can be traced back from the influence of traditional Chinese poetry. Traditional Japanese haiku consist of three phrases composed of 17 phonetic units (called on in Japanese, which are similar to syllables) in a 5, 7, 5 pattern; [ 1] that include a kireji ...
Kawahigashi Heigorō (河東 秉五郎) 26 February 1873. Matsuyama. Died. 1 February 1937 (aged 63) Tokyo. Occupation. Haiku poet, calligrapher. Kawahigashi Hekigotō (河東 碧梧桐; February 26, 1873 – February 1, 1937), birth name Kawahigashi Heigorō (河東 秉五郎), was a Japanese poet and modern pioneer of the haiku form.
Hokku. Hokku (発句, lit. "starting verse") is the opening stanza of a Japanese orthodox collaborative linked poem, renga, or of its later derivative, renku ( haikai no renga ). [ 1] From the time of Matsuo Bashō (1644–1694), the hokku began to appear as an independent poem, and was also incorporated in haibun (in combination with prose).
A haiku in English is an English-language poem written in a form or style inspired by Japanese haiku.Like their Japanese counterpart, haiku in English are typically short poems and often reference the seasons, but the degree to which haiku in English implement specific elements of Japanese haiku, such as the arranging of 17 phonetic units (either syllables or the Japanese on) in a 5–7–5 ...
Renga. Renga ( 連歌, linked poem) is a genre [1] of Japanese collaborative poetry in which alternating stanzas, or ku ( 句), of 5-7-5 and 7-7 mora (sound units, not to be confused with syllables) per line are linked in succession by multiple poets. Known as tsukuba no michi ( 筑波の道 The Way of Tsukuba) after the famous Tsukuba Mountain ...
Virgilio experimented with the haiku form, trying several innovations that other American haiku poets were exploring, including dropping the traditional 5-7-5 syllable count in favor of shorter forms. He sometimes included rhyme in his haiku along with the gritty reality of urban America. A collection of his selected haiku was published in 1985.
Modern Haiku publishes haiku that do not always adhere to the 5-7-5 format, and considers syllable or line count "not vital in contemporary English-language haiku." [9] According to Modern Haiku , "good haiku avoid subjectivity; intrusions of the poet’s ego, views, or values; and displays of intellect, wit, and facility with words."