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Typology in Christian theology and biblical exegesis is a doctrine or theory concerning the relationship of the Old Testament to the New Testament. Events, persons or statements in the Old Testament are seen as types prefiguring or superseded by antitypes, events or aspects of Christ or his revelation described in the New Testament.
the desperate search for something, or quête in French; the golden age; The nostos: the return trip to the homeland (e.g. The Odyssey) the paraclausithyron, lament before the closed door of the lover; the commutatio loci; elixir of eternal youth; the Fountain of Youth; the topos modestiæ;
Tolkien's prose style was attacked by scholars of literature such as Catharine R. Stimpson and Burton Raffel in the 1960s, and by Michael Moorcock in the 1970s. It has more recently been analysed more favourably, both by other novelists such as Ursula Le Guin, and by scholars such as Brian Rosebury and Tom Shippey.
Typography is the art and technique of arranging type to make written language legible, readable and appealing when displayed. The arrangement of type involves selecting typefaces, point sizes, line lengths, line spacing, letter spacing, and spaces between pairs of letters. [ 1] The term typography is also applied to the style, arrangement, and ...
Archetypal literary criticism is a type of analytical theory that interprets a text by focusing on recurring myths and archetypes (from the Greek archē, "beginning", and typos, "imprint") in the narrative, symbols, images, and character types in literary works. As an acknowledged form of literary criticism, it dates back to 1934 when Classical ...
a constantly-recurring symbol or motif in literature, painting, or mythology. This definition refers to the recurrence of characters or ideas sharing similar traits throughout various, seemingly unrelated cases in classic storytelling, media, etc. This usage of the term draws from both comparative anthropology and from Jungian archetypal theory.
Sphragis (literary device) Sphragis (Latin, from Greek σφραγίς 'sphragis' a seal or 'signet') is a modern term in literary theory and classical philology used to describe a literary device employed mainly in the classical world, in which an author names or otherwise identifies himself, most often at the beginning or the end of a poem or ...
At one point, he says, “Our watch, sir, have indeed comprehended two auspicious persons.”. There are two malapropism examples in this line: He should have said “apprehended,” not ...