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The 1959 (Marshall's identifying numbers are not years of manufacture), produced from 1965 to 1976 (when it was replaced by the 2203 "Master Volume" ), [ 1] is an amplifier in Marshall's "Standard" series. [ 2] It was designed by Ken Bran and Dudley Craven after The Who 's guitarist Pete Townshend asked Marshall for a 100 watt amplifier. [ 3]
Marshall Amplification is a British company that designs and manufactures music amplifiers and speaker cabinets. Founded in London by shop owner and drummer Jim Marshall, the company is based in Bletchley, Milton Keynes, England. [ 3] Since March 2023, Marshall Amplification has been one of several divisions of the Swedish conglomerate, the ...
The Marshall Major (Model 1967 [1]) was a bass guitar amplifier made by Marshall. It was introduced in 1967 as the "Marshall 200" (in reference to the power of the amplifier). It had a plexi panel and two inputs in one channel, but in contrast with the 100 watt heads made by Marshall, the first series had split tone controls similar to the ...
The Marshall Bluesbreaker is the popular name given to the Models 1961 and 1962 guitar amplifiers made by Marshall from 1964/65 to 1972. The Bluesbreaker, which derives its nickname from being used by Eric Clapton with John Mayall & The Bluesbreakers , is credited with delivering "the sound that launched British blues -rock in the mid-1960s."
Marshall JTM45. Marshall JTM45 MK II Reissue. The Marshall JTM45 amplifier is the first guitar amplifier produced by the British company Marshall. It was initially produced in 1963, and has been ranked among the most desirable of the company's amplifiers. [ 1]
The JCM800 series (Models 2203, 2204, 2205, and 2210) is a line of guitar amplifiers made by Marshall Amplification. The series was introduced in 1981. Although models 1959 and 1987 had been in production since 1965 and the 2203 and 2204 had been in production since 1975, they were redesigned and introduced as JCM800 amplifiers in 1981.
Thurgood Marshall College Student Council (TMCSC) issued a report recommending that DOC have an upper division course which also sparked the public service course. [6] In August 2009, Co-Director of the DOC Program, Robert Horwitz stated, "Various criticisms were leveled at DOC in the last few years, and faculty and student investigations ...
Sound City and the invention of Hiwatt amplifiers. Pete Townshend smashing a Gibson SG. Behind him are a set of Hiwatt amps. Both were a staple ingredient of The Who's sound between 1969 and 1972. John Entwistle traded in his Marshall Stacks in favour of Sound City at the beginning of 1967, and Townshend followed later that year.
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