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In 1965, Pete Townshend and John Entwistle were directly responsible for the creation and widespread use of Marshall amplifiers powering stacked speaker cabinets. In fact, the first 100 watt Marshall amps (called "Superleads") were created specifically for Entwistle and Townshend when they wanted an amplifier that sounded like a Fender head but with much more power.
The 1959 (Marshall's identifying numbers are not years of manufacture), produced from 1965 to 1976 (when it was replaced by the 2203 "Master Volume" ), [ 1] is an amplifier in Marshall's "Standard" series. [ 2] It was designed by Ken Bran and Dudley Craven after The Who 's guitarist Pete Townshend asked Marshall for a 100 watt amplifier. [ 3]
The amplifier was also available in the bass format (although this model lacked a "bright" capacitor) and an additional PA version (which lacked a "mixer" capacitor). [5] Because of its power, Marshall decided early on to build it as a "head," with a separate 4×12" cabinet with Celestion speakers.
Marshall Amplification is a British company that designs and manufactures music amplifiers and speaker cabinets. Founded in London by shop owner and drummer Jim Marshall, the company is based in Bletchley, Milton Keynes, England. [ 3] Since March 2023, Marshall Amplification has been one of several divisions of the Swedish conglomerate, the ...
The JCM800 series (Models 2203, 2204, 2205, and 2210) is a line of guitar amplifiers made by Marshall Amplification. The series was introduced in 1981. Although models 1959 and 1987 had been in production since 1965 and the 2203 and 2204 had been in production since 1975, they were redesigned and introduced as JCM800 amplifiers in 1981.
Bass amplifier. An Ampeg SVT cabinet with eight 10" speakers, with a separate Ampeg SVT amplifier "head" on top. A Yamaha B100-115 combo amp, which contains a 100 watt amplifier and one 15" speaker in a wooden cabinet. A Hartke 500 watt amp "head" on top of an Ashdown 4x10" speaker cabinet. A bass amplifier (also abbreviated to bass amp) is a ...
Tony Iommi Jaydee Custom SGs Built in Birmingham by luthier John Diggins sometime between 1975 and 1978, the guitar was first used for overdubs on the 'Heaven and Hell' album and later became one of Iommi's main guitars. The guitar is equipped with a 24 fret neck with custom cross inlays, four control knobs (three of which are functional), a disconnected second output jack, a hole for a master ...
Over the years, Allan Holdsworth used numerous amps, such as the Vox AC30 and a 50-watt Marshall with two 4x12 speaker cabinets. He liked the Marshalls for single-note soloing, but not for chords because of the resulting distortion. He also experimented with a couple of Norlin Lab Series L5, which he found too clean. He also used and endorsed ...
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