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Clarendon is the name of a slab serif typeface that was released in 1845 by Thorowgood and Co. (or Thorowgood and Besley) of London, a letter foundry often known as the Fann Street Foundry. The original Clarendon design is credited to Robert Besley, a partner in the foundry, and was originally engraved by punchcutter Benjamin Fox, who may also ...
French Clarendon type on a 1914 poster from Ljubljana. The reverse-contrast idea fused with a separate genre of slab-serif face, known as Clarendons . In the mid to late nineteenth century, it became popular for type foundries to offer reverse-contrast variants of Clarendon, a popular slab serif type genre, especially in the United States ...
Clarendon Ornamented (1859); Adobe's virtual type version is called Rosewood, while the FontMesa version is called Country Western. Clarendon XX Condensed (1859) Egyptian Ornamented (1870) French Antique (1869) French Clarendon XXX Condensed (1879); Adobe's virtual type version is called Ponderosa. Gothic Tuscan Condensed#2 (1879)
P. T. Barnum (1933), loosely based on French Clarendon. Pabst Old Style or Pabst Roman (1902, Goudy), based on hand lettering done by Goudy for advertisements for the Pabst Brewing Company, though commissioned by Schlesinger & Mayer, a Chicago department store. Cast by Goudy with the proviso that the department store would have the exclusive ...
Didone (typography) Didot's type in the Code civil des Français, printed by the company of Firmin Didot in 1804. Didone ( / diˈdoʊni /) is a genre of serif typeface that emerged in the late 18th century and was the standard style of general-purpose printing during the 19th century. It is characterized by: Narrow and unbracketed (hairline ...
Times New Roman is a serif typeface.It was commissioned by the British newspaper The Times in 1931 and conceived by Stanley Morison, the artistic adviser to the British branch of the printing equipment company Monotype, in collaboration with Victor Lardent, a lettering artist in The Times's advertising department.
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The svelte French style reached its fullest refinement in the roman types attributed to the best-known figure of French typography—Claude Garamond (also Garamont). In 1541 Robert Estienne, printer to the king, helped Garamond obtain commissions to cut the sequence of Greek fonts for King Francis I of France, known as the "grecs du roi". A ...
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