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Jim Pallas (born 1941) is an American sculptor known for his electro-kinetic sculptures. [1][2] “Zany, surrealistic, and ingenious in their construction, Mr. Pallas' work ushers us into the gaudy baroque phrase of kinetic art, as emanations of Paul Klee's Twittering Machines come back to haunt us in the language of our bizarre technology ...
Rent Collection Courtyard. The Rent Collection Courtyard (Chinese: 收租院; pinyin: shōuzū yuàn) is a clay collection of 114 life-sized sculptures in located in the courtyard of the former home of rural landlord Liu Wencai in Dayi County, Sichuan created by Ye Yushan and a team of sculptors from the Sichuan Academy of Fine Arts in 1965.
George Rhoads (January 27, 1926 – July 9, 2021) was a contemporary American painter, sculptor and origami master. He was best known for his whimsical audiokinetic sculptures in airports, science museums, shopping malls, children's hospitals, and other public places throughout the world.
Image credits: carrykitty Innovative design can surely make a world of difference in our everyday lives. Take a simple trash can, for example—sure, it does the job as is.
Metamechanics (French méta-mécanique), in relation to art history, describes the kinetic sculpture machines of Jean Tinguely. [1][2] It is also applied to, and may have its origins in, earlier work of the Dada art movement. Jean Tinguely created his Métamatic sculptures between 1955 and 1959. These sculptures are modelled in a way that ...
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Can't Help Myself was a kinetic sculpture created by Sun Yuan and Peng Yu in 2016. [1] The sculpture consisted of a robotic arm that could move to sweep up red, cellulose ether fluid leaking from its inner core, and make dance-like movements. [2] It was commissioned by the Guggenheim museum with the intent of cultivating dialogue about the ...
Jean Tinguely (22 May 1925 – 30 August 1991) was a Swiss sculptor best known for his kinetic art sculptural machines (known officially as Métamatics) that extended the Dada tradition into the later part of the 20th century. [1] Tinguely's art satirized automation and the technological overproduction of material goods.
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