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Calligraphy (from Ancient Greek καλλιγραφία (kalligraphía) 'beautiful writing') is a visual art related to writing. It is the design and execution of lettering with a pen, ink brush, or other writing instrument. [1] : 17 Contemporary calligraphic practice can be defined as "the art of giving form to signs in an expressive ...
A modern sans-serif and four blackletter typefaces (left to right): Textur (a), Rotunda, Schwabacher and Fraktur. Fraktur ( German: [fʁakˈtuːɐ̯] ⓘ) is a calligraphic hand of the Latin alphabet and any of several blackletter typefaces derived from this hand. It is designed such that the beginnings and ends of the individual strokes that ...
Italic is only used for the lower case and not for capitals. [1] In typography, italic type is a cursive font based on a stylised form of calligraphic handwriting. [2] [3] [4] Along with blackletter and roman type, it served as one of the major typefaces in the history of Western typography . Owing to the influence from calligraphy, italics ...
The name Nastaliq "is a contraction of the Persian naskh-i ta'liq ( Persian: نَسْخِ تَعلیق ), meaning a hanging or suspended naskh. " [6] Virtually all Safavid authors (like Dust Muhammad or Qadi Ahmad) attributed the invention of nastaliq to Mir Ali Tabrizi, who lived at the end of the 14th and the beginning of the 15th century.
Sütterlinschrift ( German pronunciation: [ˈzʏtɐliːnˌʃʁɪft], " Sütterlin script") is the last widely used form of Kurrent, the historical form of German handwriting that evolved alongside German blackletter (most notably Fraktur) typefaces. Graphic artist Ludwig Sütterlin was commissioned by the Prussian Ministry of Science, Art and ...
Korean calligraphy, also known as Seoye (Korean: 서예), is the Korean tradition of artistic writing. Calligraphy in Korean culture involves both Hanja (Chinese logograph) and Hangul (Korean native alphabet). Early Korean calligraphy was exclusively in Hanja, or the Chinese-based logography first used to write the Korean language.
Contemporary Persian calligraphy. In 1950, the Iran's Association of Calligraphers was founded by Hossein Mirkhani, Ali Akbar Kaveh, Ebrahim Bouzari, Hassan Mirkhani and Mehdi Baiani. For an overview of Persian calligraphy's development within Afghanistan, see "Calligraphy during last two centuries in Afghanistan" (1964), by Azizuddin Vakili.
Georgian calligraphy was actively created outside Georgia as well. Georgians created calligraphical, religious and scholar works in the following places: Georgian-built Petritsoni monastery of Bulgaria, Iviron monastery of Mount Athos and Monastery of the Cross of Jerusalem. They were also active at Mar Saba of Jerusalem, Saint Catherine's ...
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