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2. Rage (music genre) - Wikipedia

   en.wikipedia.org/wiki/Rage_(music_genre)

   It has also been noticed, that oftentimes EDM synth hooks in rage come from pre-packaged EDM melody packs, for instance, a guitar-driven [17] "high-octane" [36] EDM loop from "Miss The Rage" came from the royalty-free [36] EDM sample pack by Cymatics, called Cymatics Odyssey EDM Sample Pack. [4]

3. Miss the Rage - Wikipedia

   en.wikipedia.org/wiki/Miss_the_Rage

   The track features Trippie Redd and Playboi Carti rapping over a beat made by Dutch producer Loesoe. [5] The main melodic element of the beat is a reversed royalty-free synth loop from the Cymatics.fm pack "ODYSSEY EDM Sample Pack".

4. Cymatics - Wikipedia

   en.wikipedia.org/wiki/Cymatics

   Cymatics. A demonstration of sand forming cymatic patterns on a metal plate. Cymatics (from Ancient Greek: κῦμα, romanized: kŷma, lit. 'wave') is a subset of modal vibrational phenomena. The term was coined by Swiss physician Hans Jenny (1904–1972). Typically the surface of a plate, diaphragm, or membrane is vibrated, and regions of ...

5. Freesound - Wikipedia

   en.wikipedia.org/wiki/Freesound

   Freesound's logo, stylised as 'freesound'. Freesound is a collaborative repository of Creative Commons licensed audio samples, and non-profit organisation, with more than 500,000 sounds and effects (as of May 2021), [1] and 8 million registered users (as of March 2019). Sounds are uploaded to the website by its users, and cover a wide range of ...

6. Hans Jenny (cymatics) - Wikipedia

   en.wikipedia.org/wiki/Hans_Jenny_(cymatics)

   Life and career. Jenny was born in Basel, Switzerland. After completing a doctorate he taught science at the Rudolph Steiner School in Zürich for four years before beginning medical practice. In 1967, Jenny published the first volume of Cymatics: The Study of Wave Phenomena. The second volume came out in 1972, the year he died.

7. Beat (acoustics) - Wikipedia

   en.wikipedia.org/wiki/Beat_(acoustics)

   Beat (acoustics) In acoustics, a beat is an interference pattern between two sounds of slightly different frequencies, perceived as a periodic variation in volume whose rate is the difference of the two frequencies. With tuning instruments that can produce sustained tones, beats can be readily recognized.