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Lace curtain and shanty Irish. Lace curtain Irish and shanty Irish are terms that were commonly used in the 19th and 20th centuries to categorize Irish people, particularly Irish Americans, by social class. The "lace curtain Irish" were those who were well off, while the "shanty Irish" were the poor, who were presumed to live in shanties, or ...
The lace, worn by the wealthiest women across Europe, was made by some of the poorest women in Ireland. Lace was a luxury commodity, used to decorate elaborate wedding dresses, christening robes, and church vestments; it played a vital part in saving many families from starvation and destitution. Irish lace reflects the social and political ...
Detached villas built by "lace curtain" Irish in the 1890s in the Limerick district. In 1805, several Irish natives were living on Fifth Street by the Ohio River, but due to exogamous marriages and removals to new residences this was the last concentration of the Scots-Irish/Ulster Scots in Louisville.
A wave of Irish immigration to Boston started in the 1820s. Initially most of the newcomers were Protestants, but increasingly they were joined by Catholics. From the start, there were problems. The "papists" were seen as both a spiritual and a political threat, and the locals reacted accordingly.
Like similar terms, "lace-curtain Irish," while denoting a certain level of financial achievement, has connotations that go well beyond mere prosperity. It connotes a self-conscious, anxious attempt to create and maintain a certain level and mode of gentility... Shannon, W. V. (1989). The American Irish: a political and social portrait. p. 142.
Limerick lace is a specific class of lace originating in Limerick, Ireland, which was later produced throughout the country. It evolved from the invention of a machine which made net in 1808. Until John Heathcoat invented a net-making machine in Devon in 1815, handmade net was a very expensive fabric. This meant cheap net became available to ...
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