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The JCM800 series (Models 2203, 2204, 2205, and 2210) is a line of guitar amplifiers made by Marshall Amplification. The series was introduced in 1981. Although models 1959 and 1987 had been in production since 1965 and the 2203 and 2204 had been in production since 1975, they were redesigned and introduced as JCM800 amplifiers in 1981.
The 1959 (Marshall's identifying numbers are not years of manufacture), produced from 1965 to 1976 (when it was replaced by the 2203 "Master Volume" ), [ 1] is an amplifier in Marshall's "Standard" series. [ 2] It was designed by Ken Bran and Dudley Craven after The Who 's guitarist Pete Townshend asked Marshall for a 100 watt amplifier. [ 3]
Marshall JTM45. Marshall JTM45 MK II Reissue. The Marshall JTM45 amplifier is the first guitar amplifier produced by the British company Marshall. It was initially produced in 1963, and has been ranked among the most desirable of the company's amplifiers. [ 1]
Marshall Amplification is a British company that designs and manufactures music amplifiers and speaker cabinets. Founded in London by shop owner and drummer Jim Marshall, the company is based in Bletchley, Milton Keynes, England. [ 3] Since March 2023, Marshall Amplification has been one of several divisions of the Swedish conglomerate, the ...
Annual appreciation was 3.2% in June and monthly growth decelerated to 0.6%, the slowest June price appreciation since 2011. While still below pre-pandemic levels, home inventory is piling up ...
The amount of time that a debt collector can legally pursue old debt varies by state and type of debt but can range between three and 20 years. Each state has its own statute of limitations on ...
The Marshall Bluesbreaker is the popular name given to the Models 1961 and 1962 guitar amplifiers made by Marshall from 1964/65 to 1972. The Bluesbreaker, which derives its nickname from being used by Eric Clapton with John Mayall & The Bluesbreakers , is credited with delivering "the sound that launched British blues -rock in the mid-1960s."
The artwork, which was licensed from the publisher, [8] [9] is taken from a panel from Silver Surfer #1 (1982), drawn by John Byrne. [10] Byrne did not receive a royalty for the art's use on the album cover. [10] [11] Satriani was unfamiliar with the Silver Surfer and had named the album and title track without the character in mind.
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