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The 1959 (Marshall's identifying numbers are not years of manufacture), produced from 1965 to 1976 (when it was replaced by the 2203 "Master Volume" ), [ 1] is an amplifier in Marshall's "Standard" series. [ 2] It was designed by Ken Bran and Dudley Craven after The Who 's guitarist Pete Townshend asked Marshall for a 100 watt amplifier. [ 3]
In 1967, Marshall released a 50-watt version of the 100-watt Superlead known as the 1987 Model. In 1969, the plexiglass panel was replaced by a brushed metal front panel. Other early customers included Pete Townshend and John Entwistle of The Who, whose search for extra volume led Marshall to design the classic 100-watt valve amplifier. [12]
Marshall JTM45. Marshall JTM45 MK II Reissue. The Marshall JTM45 amplifier is the first guitar amplifier produced by the British company Marshall. It was initially produced in 1963, and has been ranked among the most desirable of the company's amplifiers. [ 1]
The United States Marshals Service (USMS) is a federal law enforcement agency in the United States.The Marshals Service serves as the enforcement and security arm of the U.S. federal judiciary, although it is an agency of the U.S. Department of Justice and operates under the direction of the U.S. Attorney General.
The Marshall Major (Model 1967 [ 1]) was a bass guitar amplifier made by Marshall. It was introduced in 1967 as the "Marshall 200" (in reference to the power of the amplifier). It had a plexi panel and two inputs in one channel, but in contrast with the 100 watt heads made by Marshall, the first series had split tone controls similar to the ...
Peavey 6505 head and cab. The Peavey 5150 is a vacuum tube based guitar amplifier made by Peavey Electronics from 1992 on. The amplifier was initially created as a signature model for Eddie Van Halen. After Van Halen and Peavey parted ways in 2004, the name was changed to Peavey 6505 in celebration of Peavey's 40th anniversary (1965–2005).
including C 1, 25 July 1952. This manual supersedes FM 100–5, 15 June 1944. This manual supersedes FM 100–5, 15 June 1944. including C 1, 16 September 1942; C 2, 12 November 1942; and C 3, 26 April 1943. These regulations supersede FM 100–5, Tentative Field Service Regulations, Operations, October 1, 1939.
Good Times ("Good Times") – composed by Dave Grusin, Alan and Marilyn Bergman; performed by Jim Gilstrap and Blinky Wiiliams. Good Witch – Jack Lenz. The Goodies ("The Goodies Theme) – Bill Oddie and Michael Gibbs. Goodnight Sweetheart – Ray Noble, Jimmy Campbell and Reg Connelly, performed by Al Bowlly.