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It was designed by Ken Bran and Dudley Craven after The Who's guitarist Pete Townshend asked Marshall for a 100 watt amplifier. [3] Its output was first channeled into an 8×12″ cabinet, but that single, unwieldy cabinet was quickly changed to a pair of 4x12″ cabinets, 1960a "angled" on top and 1960b "box" on bottom, creating the famous ...
Marshall Amplification is a British company that designs and manufactures music amplifiers and speaker cabinets. Founded in London by shop owner and drummer Jim Marshall, the company is based in Bletchley, Milton Keynes, England. [ 3] Since March 2023, Marshall Amplification has been one of several divisions of the Swedish conglomerate, the ...
The Marshall Bluesbreaker is the popular name given to the Models 1961 and 1962 guitar amplifiers made by Marshall from 1964/65 to 1972. The Bluesbreaker, which derives its nickname from being used by Eric Clapton with John Mayall & The Bluesbreakers , is credited with delivering "the sound that launched British blues -rock in the mid-1960s."
Sound City and the invention of Hiwatt amplifiers. Pete Townshend smashing a Gibson SG. Behind him are a set of Hiwatt amps. Both were a staple ingredient of The Who's sound between 1969 and 1972. John Entwistle traded in his Marshall Stacks in favour of Sound City at the beginning of 1967, and Townshend followed later that year.
The JCM800 series (Models 2203, 2204, 2205, and 2210) is a line of guitar amplifiers made by Marshall Amplification. The series was introduced in 1981. Although models 1959 and 1987 had been in production since 1965 and the 2203 and 2204 had been in production since 1975, they were redesigned and introduced as JCM800 amplifiers in 1981.
Marshall JTM45. Marshall JTM45 MK II Reissue. The Marshall JTM45 amplifier is the first guitar amplifier produced by the British company Marshall. It was initially produced in 1963, and has been ranked among the most desirable of the company's amplifiers. [ 1]
Around 2005, Townsend began to utilize Mesa/Boogie Dual Rectifier and Stiletto amp heads, boosted with a Maxon OD808, running into Mesa/Boogie 2x12 cabinets, and Marshall 4x12 cabinets. He would also run a 3rd signal into a 1990s Roland GP-100, which would be amplified by a Mesa/Boogie tube power amp. He would still make use of the Peavey head ...
Throughout his career, Squire used a Marshall 100-watt amp and 4x12 cabinet, but over time also used Sunn amps and cabinets, Ampeg SVT-2 PROs, Ampeg 8x10 cabs, and a pair of Clair Brothers custom 6x12 cabinets with directional speakers. [44]
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