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"You Raise Me Up" is a song ... April 2018 Icelandic composer Jóhann Helgason claimed the song infringed the copyright of his 1977 work "Söknuður," meaning ...
Launched. March 5, 2001; 23 years ago. ( 2001-03-05) Current status. online. SongMeanings is a music website that encourages users to discuss and comment on the underlying meanings and messages of individual songs. [1] [2] [3] As of May 2015, the website contains over 110,000 artists, 1,000,000 lyrics, 14,000 albums, and 530,000 members.
Be Glad for the Song Has No Ending is the eighth album by the Scottish psychedelic folk group, the Incredible String Band, featuring Mike Heron, Robin Williamson, Licorice McKechnie and Rose Simpson. It is the soundtrack for a film of the same name, and was released on Island Records in March 1971, failing to chart in either the UK [1] or US.
"Wake Me Up When September Ends" is a song by American rock band Green Day, released on June 13, 2005, as the fourth single from the group's seventh studio album, American Idiot (2004). The ballad [3] was written by frontman Billie Joe Armstrong about the death of his father when he was 10 years old.
Monto (Take Her Up to Monto) (Redirected from Monto (Take Her Up To Monto)) "Monto (Take Her Up To Monto)" is an Irish folk song, written in 1958 by George Desmond Hodnett, music critic of the Irish Times, and popularised by the Dubliners. [1] Frank Harte was also known to sing the song.
Wine Me Up. " Wine Me Up " is a song first recorded by American country music artist Faron Young. It was released in May 1969 as the first single from his album, Wine Me Up. The song peaked at number 2 on the Billboard Hot Country Singles chart [1] and reached number 3 on the RPM Country Tracks chart in Canada.
Lyricist (s) Oscar Hammerstein II. " Do-Re-Mi " is a show tune from the 1959 Rodgers and Hammerstein musical The Sound of Music. Each syllable of the musical solfège system appears in the song's lyrics, sung on the pitch it names. Rodgers was helped in its creation by long-time arranger Trude Rittmann who devised the extended vocal sequence in ...
The song, as well as the album on which it is featured, was a marked departure from Chicago's traditional soft rock, horn-driven sound, taking on a polished and modern feel. With minimal horns, the track instead featured more layered synthesizers and heavier distorted guitar in a 1980s power ballad styling.