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[11] [nb 1] The key is ambiguous and unstable, lending difficulty to its identification. [12] Although it most closely suggests G ♭ major, the only G ♭ chord in the song appears in second inversion, with a fifth in the root, furthering the tonal instability. [12] [13] The song is an AABA style ballad [14] written in 12 8 metre. [15]
Musically, "Lover, You Should've Come Over" is a folk-pop [1] and soul ballad. [2] The song has a length of 6:43, [3] and is composed in 6. 8 time and the key of D major. It moves at a tempo of 120 beats per minute, and Buckley's vocal range spans more than two octaves, from B 3 to D 6. [4] The song begins with an "ethereal, droning" [5 ...
The ' 50s progression (also known as the "Heart and Soul" chords, the "Stand by Me" changes, [1] [2] the doo-wop progression [3]: 204 and the "ice cream changes" [4]) is a chord progression and turnaround used in Western popular music. The progression, represented in Roman numeral analysis, is I–vi–IV–V. For example, in C major: C–Am ...
Composition and background. "Cat's in the Cradle" is narrated by a man who becomes a father in the first stanza. He is repeatedly too busy with his work to spend time with his son, despite his son looking up to him and promising he will grow up to be just like him. When the son graduates from college, he declines his father's offer to relax ...
Sh-Boom. " Sh-Boom " (" Life Could Be a Dream ") is an early doo-wop song by the R&B vocal group The Chords. It was written by James Keyes, Claude Feaster, Carl Feaster, Floyd F. McRae, and William Edwards, members of The Chords, and published in 1954. It is sometimes considered the first doo-wop or rock 'n' roll record to reach the top ten on ...
Like a Rolling Stone. " Like a Rolling Stone " is a song by the American singer-songwriter Bob Dylan, released on July 20, 1965, by Columbia Records. Its confrontational lyrics originated in an extended piece of verse Dylan wrote in June 1965, when he returned exhausted from a grueling tour of England. Dylan distilled this draft into four ...
Booker T. & the M.G.'s formed as the house band of Stax Records, providing backing music for numerous singers, including Wilson Pickett and Otis Redding. [6] In summer 1962, 17-year-old keyboardist Booker T. Jones, 20-year-old guitarist Steve Cropper, and two seasoned players, bassist Lewie Steinberg and drummer Al Jackson Jr. (the latter making his debut with the company) were in the Memphis ...
The three Troops of 2nd Cavalry were dispatched to drive away the Indians' ponies by attacking their rear. G Troop, under LT Edward John McClernand, caught up with Chief White Bird as he and his band tried to escape to Canada. The ensuing engagement was brief, but violent, and resulted in the capture of the Indians and their mounts.