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A matte painting is a painted representation of a landscape, set, or distant location that allows filmmakers to create the illusion of an environment that is not present at the filming location. Historically, matte painters and film technicians have used various techniques to combine a matte-painted image with live-action footage ( compositing ).
Matte (filmmaking) Mattes are used in photography and special effects filmmaking to combine two or more image elements into a single, final image. Usually, mattes are used to combine a foreground image (e.g. actors on a set) with a background image (e.g. a scenic vista or a starfield with planets). In this case, the matte is the background ...
Fritz Lang's film Metropolis was an early special effects spectacular, with innovative use of miniatures, matte paintings, the Schüfftan process, and complex compositing. An important innovation in special-effects photography was the development of the optical printer. Essentially, an optical printer is a projector aiming into a camera lens ...
Known for. Disney features. Relatives. Harrison Ellenshaw (son) Awards. Academy Award Best Visual Effects, Disney Legends Awards. William Samuel Cook "Peter" Ellenshaw (24 May 1913 – 12 February 2007) was an English matte designer and special effects creator who worked on many Disney features. Born in London, he moved to America in 1953.
The matte painting was then drawn to exactly match the proportion and perspective to the live action shot. The low cost and high quality of Dawn's matte shot made it the mainstay in special effects cinema throughout the century. Dawn patented his invention on 11 June 1918 and sued for infringement of the patent three years later.
London, England. Died. 26 October 1999. (1999-10-26) (aged 84) Santa Barbara, California. Occupation. Matte artist. Albert J. Whitlock Jr. (15 September 1915 – 26 October 1999) was a British-born motion picture matte artist best known for his work with Disney and Universal Studios .
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