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By 1517, Leonardo da Vinci's The Last Supper had already started to deteriorate, as was noted in many diaries and letters of the time. The corrosion of the work can be accredited to Leonardo's unconventional painting technique for a work on a wall, as well as the surface itself. The refectory of Santa Maria delle Grazie sits in a low-lying part ...
Every Tuesday on the show, Jimmy weighed the pros and cons of a topic that's currently in the news, with the pros being the setups and the cons being the punchlines. (e.g. Pro: With Tiger competing, this year's Masters promises to be the most exciting golf tournament ever. Con: That being said, it's still golf.)
The Last Supper ( Italian: Il Cenacolo [il tʃeˈnaːkolo] or L'Ultima Cena [ˈlultima ˈtʃeːna]) is a mural painting by the Italian High Renaissance artist Leonardo da Vinci, dated to c. 1495–1498, housed in the refectory of the Convent of Santa Maria delle Grazie in Milan, Italy.
The “Last Supper” snafu has yet to die down. More than a week after the Paris Olympics opening ceremony that appeared to parody Leonardo da Vinci’s “The Last Supper” painting, the ...
The Last Supper refers to the final meal that Jesus Christ shared with his 12 apostles before he was crucified. ... questions are raised,” he said at an International Olympic Committee media ...
Renewable energy debate. Global public support for energy sources, based on a survey by Ipsos (2011). [1] The 5 GW Rampart Dam was terminated as a result of concerns about indigenous people and ecological conservation issues. Policy makers often debate the constraints and opportunities of renewable energy .
The nuclear power debate is a long-running controversy about the risks and benefits of using nuclear reactors to generate electricity for civilian purposes. The debate about nuclear power peaked during the 1970s and 1980s, as more and more reactors were built and came online, and "reached an intensity unprecedented in the history of technology controversies" in some countries.
The Sacrament of the Last Supper is a painting by Salvador Dalí. Completed in 1955, after nine months of work, it remains one of his most popular compositions. Since its arrival at the National Gallery of Art in Washington, D.C. in 1955, it replaced Renoir's A Girl with a Watering Can as the most popular piece in the museum.