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Chroma key compositing, or chroma keying, is a visual-effects and post-production technique for compositing (layering) two or more images or video streams together based on colour hues ( chroma range). The technique has been used in many fields to remove a background from the subject of a photo or video – particularly the newscasting, motion ...
Transparency (graphic) GIF animation of an Apollonian sphere packing with transparent background. Transparency in computer graphics is possible in a number of file formats. The term "transparency" is used in various ways by different people, but at its simplest there is "full transparency" i.e. something that is completely invisible.
Making an image that was incorrectly saved as JPEG fit for saving as PNG. Suppose you have a map for an island that was inadvertently saved as JPEG. Looks OK, if a bit fuzzy. 1. In your bitmap graphics editor, set your fuzzy selection ("magic wand") tool so that it only will select pixels of exactly the same color. (Here: Threshold = 0) 2.
Personalize your background image, sounds, and toolbar appearance in AOL Desktop Gold. Access your settings to see several options that let you make it your own, such as updating the sounds that you hear, adjusting the colors used, and choosing from any of your own images or the vast Flickr library to personalize your background.
A color spectrum image with an alpha channel that falls off to zero at its base, where it is blended with the background color. In computer graphics, alpha compositing or alpha blending is the process of combining one image with a background to create the appearance of partial or full transparency. [ 1] It is often useful to render picture ...
Matte (filmmaking) Mattes are used in photography and special effects filmmaking to combine two or more image elements into a single, final image. Usually, mattes are used to combine a foreground image (e.g. actors on a set) with a background image (e.g. a scenic vista or a starfield with planets). In this case, the matte is the background ...
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