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The painting depicts two women, one black and one white, sitting next to each other covered in beauty patches. The painting is unusual for the time in its depiction of the sitters as equals. The women are presented as companions with similar dress, makeup, hair, and jewelry. The work was created circa 1650 and subverts traditional portraiture ...
Category:Public domain art. Wikimedia Commons has media related to PD Art. Images in this category are illustrations from artists who have been deceased for more than 100 years. But if the person or organization who digitized it has released it under another license, list that other license as well as this one.
Pinkie (painting) Pinkie. (painting) Pinkie is the traditional title for a portrait made in 1794 by the English painter Thomas Lawrence. It is now in the Huntington Library at San Marino, California where it normally hangs opposite The Blue Boy by Thomas Gainsborough. The title now given it by the museum is Sarah Goodin Barrett Moulton: "Pinkie".
Location. Musée d'Orsay, Paris. Arrangement in Grey and Black No. 1, best known under its colloquial name Whistler's Mother or Portrait of Artist's Mother, [ 1][ 2] is a painting in oils on canvas created by the American-born painter James McNeill Whistler in 1871. The subject of the painting is Whistler's mother, Anna McNeill Whistler.
Paris. On the left: Witches' Sabbath (The Great He-Goat) The Black Paintings (Spanish: Pinturas negras) is the name given to a group of 14 paintings by Francisco Goya from the later years of his life, likely between 1819 and 1823. They portray intense, haunting themes, reflective of both his fear of insanity and his bleak outlook on humanity.
Of artists listed, there are only 18 women, including Rosalba Carriera, Mary Cassatt, Angelica Kauffmann, Judith Leyster, Georgia O'Keeffe, Élisabeth Louise Vigée Le Brun, and Marguerite Zorach . For the complete list of artists and their artworks in the collection, see the website www.nga.gov.
Black and white reproduction: Madonna delle Grazie: c. 1470: Tempera on panel: 80 × 58 cm: Private collection The Discovery of the Body of Holofernes: c. 1470: Tempera on panel: 31 × 25 cm: Florence, Uffizi: The Return of Judith to Bethulia: 1470–1472: Tempera on panel: 31 × 24 cm: Florence, Uffizi: Portrait of Esmeralda Brandini: 1470 ...
Monochrome painting as it is usually understood today began in Moscow, with Suprematist Composition: White on White [14] of 1918 by Suprematist artist Kazimir Malevich. This was a variation on or sequel to his 1915 work Black Square on a White Field , a very important work in its own right to 20th century geometric abstraction .