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While there are distinct musical characteristics to this era of reggae music, the term "roots" often implies more the message of the music than specifically its musical style and is still often used today to refer either to a musical style/subgenre or to give context to an artists music that may, in fact, cover several subgenres of reggae.
Harry Belafonte, a Jamaican-American pop-calypso singer in 1954. Caribbean music genres are very diverse. They are each synthesis of African, European, Arab, Asian and Indigenous influences, largely created by descendants of African slaves (see Afro-Caribbean music), along with contributions from other communities (such as Indo-Caribbean music).
Roots reggae is a subgenre of reggae that deals with the everyday lives and aspirations of Africans and those in the African Diaspora, including the spiritual side of Rastafari, black liberation, revolution and the honouring of God, called Jah by Rastafarians. [1] It is identified with the life of the ghetto sufferer, [2] and the rural poor.
Reggae (/ ˈ r ɛ ɡ eɪ /) is a music genre that originated in Jamaica in the late 1960s. The term also denotes the modern popular music of Jamaica and its diaspora. [1] A 1968 single by Toots and the Maytals, "Do the Reggay", was the first popular song to use the word reggae, effectively naming the genre and introducing it to a global audience.
Dub is an electronic musical style that grew out of reggae in the late 1960s and early 1970s. It is commonly considered a subgenre of reggae, though it has developed to extend beyond that style. [1]
Mento is a style of Jamaican music that predates and has greatly influenced ska and reggae music. Lord Flea and Count Lasher are two of the more successful mento artists. Well-known mento songs include Day-O, Jamaica Farewell and Linstead Market. Mento is often confused with Calypso music, a musical form from Trinidad and Tobago.
Raggamuffin music (or simply ragga) is a subgenre of dancehall and reggae music. The instrumentals primarily consist of electronic music with heavy use of sampling.. Wayne Smith's "Under Mi Sleng Teng", produced by King Jammy in 1985 on a Casio MT-40 synthesizer, is a seminal ragga song.
It was developed in Jamaica in the 1960s when Stranger Cole, Prince Buster, Clement "Coxsone" Dodd, and Duke Reid formed sound systems to play American rhythm and blues and then began recording their own songs. [2] In the early 1960s, ska was the dominant music genre of Jamaica and was popular with British mods and with many skinheads. [3] [4 ...
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