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In 1883, English painter Walter Langley created "For Men Must Work and Women Must Weep", a watercolour painting based on Kingsley's poem. The song (as arranged by Hullah) was a frequently sung by popular vocalists such as Antoinette Sterling and Charlotte Sainton-Dolby, each of whom gave distinctly different interpretations. Sterling once ...
Signature. Ella Wheeler Wilcox (November 5, 1850 – October 30, 1919) was an American author and poet. Her works include the collection Poems of Passion and the poem "Solitude", which contains the lines "Laugh, and the world laughs with you; weep, and you weep alone." Her autobiography, The Worlds and I, was published in 1918, a year before ...
George Moses Horton (c. 1798–after 1867), was an African-American poet from North Carolina who was enslaved until Union troops, carrying the Emancipation Proclamation, reached North Carolina (1865). Horton is the first African-American author to be published in the United States. ( Phillis Wheatley 's poetry was published earlier, in the ...
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The poem on a gravestone at St Peter’s church, Wapley, England. " Do not stand by my grave and weep " is the first line and popular title of the bereavement poem " Immortality ", presumably written by Clare Harner in 1934. Often now used is a slight variant: "Do not stand at my grave and weep".
Title page of the 1861 first edition. Frontispiece by Thomas Woolner. The Golden Treasury of English Songs and Lyrics is a popular anthology of English poetry, originally selected for publication by Francis Turner Palgrave in 1861. [1] It was considerably revised, with input from Tennyson, about three decades later.
Walter Langley in his studio. Langley's entry in the Royal Birmingham Society of Artists members' register; in his own hand. Dated 1884 and with an initialled post-1910 postage stamp. Between The Tides, oil on canvas, 1901. Walter Langley (8 June 1852 – 21 March 1922) was an English painter and founder of the Newlyn School of plein air artists.
The Surrender Tree has been viewed by many and seen as a powerful book of poems. The Horn Book Magazine writes “A powerful narrative in free verse...haunting.” “Hauntingly beautiful, revealing pieces of Cuba’s troubled past through the poetry of hidden moments” said School Library Journal.
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