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In 1883, English painter Walter Langley created "For Men Must Work and Women Must Weep", a watercolour painting based on Kingsley's poem. The song (as arranged by Hullah) was a frequently sung by popular vocalists such as Antoinette Sterling and Charlotte Sainton-Dolby, each of whom gave distinctly different interpretations. Sterling once ...
Signature. Ella Wheeler Wilcox (November 5, 1850 – October 30, 1919) was an American author and poet. Her works include the collection Poems of Passion and the poem "Solitude", which contains the lines "Laugh, and the world laughs with you; weep, and you weep alone." Her autobiography, The Worlds and I, was published in 1918, a year before ...
George Moses Horton (c. 1798–after 1867), was an African-American poet from North Carolina who was enslaved until Union troops, carrying the Emancipation Proclamation, reached North Carolina (1865). Horton is the first African-American author to be published in the United States. ( Phillis Wheatley 's poetry was published earlier, in the ...
Cyprian Kamil Norwid (Polish pronunciation: [ˈt͡sɨprjan ˈnɔrvit]; 24 September 1821 – 23 May 1883) was a Polish poet, dramatist, painter, sculptor, and philosopher.He is now considered one of the four most important Polish Romantic poets, though scholars still debate whether he is more aptly described as a late romantic or an early modernist.
Poetry. Maximianus's poetry, usually divided into six separate elegies, deals with the contrast between the infirmities of age and the vigor and amours of youth. Some scholars have noted a connection with the topos of the senex amans found in classical comedy and in Ovid.
The poem on a gravestone at St Peter’s church, Wapley, England. " Do not stand by my grave and weep " is the first line and popular title of the bereavement poem " Immortality ", presumably written by Clare Harner in 1934. Often now used is a slight variant: "Do not stand at my grave and weep".
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The Surrender Tree has been viewed by many and seen as a powerful book of poems. The Horn Book Magazine writes “A powerful narrative in free verse...haunting.” “Hauntingly beautiful, revealing pieces of Cuba’s troubled past through the poetry of hidden moments” said School Library Journal.
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