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Dark ambient. Dark ambient (referred to as ambient industrial especially in the 1980s) is a genre of post-industrial music [1][3] that features an ominous, dark droning and often gloomy, monumental or catacombal atmosphere, partially with discordant overtones. It shows similarities with ambient music, a genre that has been cited as a main ...
The following is a list of notable artists who compose, or have composed, dark ambient music at some point in their careers. This is a dynamic list and may never be able to satisfy particular standards for completeness.
Ambient house is a musical category founded in the late 1980s that is used to describe acid house featuring ambient music elements and atmospheres. [73] Tracks in the ambient house genre typically feature four-on-the-floor beats, synth pads, and vocal samples integrated in an atmospheric style. [73]
The Village Voice. B+ [9] Ambient 4: On Land is the eighth solo studio album by Brian Eno, released in March 1982 by EG Records. It was the final edition in Eno's Ambient series, which began in 1978 with Ambient 1: Music for Airports. The album was released to critical acclaim, and is recognised along with its predecessors as a landmark album ...
Bowery Electric. Thom Brennan. Michael Brook. Brunette Models. Buckethead (trance-ambient) Harold Budd. Peter Buffett. Burial. Burzum (not exclusively ambient)
The album has also been highly praised by Aural Pressure, a website specialising in dark ambient, experimental, industrial, rhythmic noise, power electronics and neoclassical music. In 2005, some of the album was broadcast on Dutch Radio 4FM (now known as NPS Studio 6). Free audio
Michael Balch. Chris Peterson. Delerium is a Canadian new-age ambient electronic musical duo that formed in 1987, originally as a side project of the influential industrial music act Front Line Assembly. [1] Throughout the band’s history, their musical style has encompassed a broad range, including dark ethereal ambient trance, voiceless ...
SleepResearch_Facility consists of the single band member Kevin Doherty. His music usually contains no rhythmic elements (one exception is "2.5" on Dead Weather Machine), but instead relies on spacious, extended, richly-textured sounds. Occasionally, true 'musical' elements appear in his work, such as sustained chords (in "c-deck" on Nostromo ...
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