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The carte de visite was usually an albumen print from a collodion negative on thin paper glued onto a thicker paper card. The size of a carte de visite is 54.0 mm (2.125 in) × 89 mm (3.5 in) mounted on a card sized 64 mm (2.5 in) × 100 mm (4 in). The reverse was generally printed with the logo of the photographer or the photography studio ...
The pioneers of photography in the Philippines were Western photographers, mostly from Europe.The practice of taking photographs and the opening of the first photo studios in Spanish Philippines, from the 1840s to the 1890s, were driven by the following reasons: photographs were used as a medium of news and information about the colony, as a tool for tourism, as an fork anthropology, as a ...
Studio name often takes up the entire back of the card. Late 1880s–90s Gold text on black card stock; 1890s on: embossed studio name or other embossed designs; Card sizes. Carte de visite (2.5 by 4.5 inches (64 by 114 mm)), the same size as calling cards; Cabinet card: (4.5 by 6.5 inches (110 by 170 mm))
Visiting card. A visiting card, also called a calling card, was a small, decorative card that was carried by individuals to present themselves to others. It was a common practice in the 18th and 19th century, particularly among the upper classes, to leave a visiting card when calling on someone (which means to visit their house or workplace).
File renaming, single-click background copy/move to preset location, single-click rating/labeling (writes Adobe XMP sidecar files and/or embeds XMP metadata within JPEG/TIFF/HD Photo/JPEG XR), Windows rating, color management including custom target profile selection, Unicode support, Exif shooting data (shutter speed, f-stop, ISO speed ...
Harris & Ewing Photographic Studio is an historic structure located in downtown Washington, D.C. It was built in 1924 and listed on the National Register of Historic Places in 1994. History. The building housed Harris & Ewing, which in the early 20th century was the largest news photo service in the United States.
Real photo postcard. A typical 1940s–early 1950s black and white real photo postcard. A real photo postcard ( RPPC) is a continuous-tone photographic image printed on postcard stock. The term recognizes a distinction between the real photo process and the lithographic or offset printing processes employed in the manufacture of most postcard ...
The history of photographic studios and photography dates back to the 1840s with the invention of processes for recording camera pictures, by Henry Fox Talbot and Louis Daguerre. The earliest photographic studios made use of natural daylight to create photographic portraits. As already used by artists, a northern light with no direct sunlight ...
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