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The goal of a kinetic sculpture is to create a machine in which motion is a critical component of the piece, resulting the audience's failure to associate the sculpture with an mere object. [11] The automated nature of Can't Help Myself categorizes the sculpture as a work of kinetic art, which, in turn, generates an anthropomorphic quality to ...
An attorney's business card, 1895 Eugène Chigot, post impressionist painter, business card 1890s A business card from Richard Nixon's first Congressional campaign, in 1946 Front and back sides of a business card in Vietnam, 2008 A Oscar Friedheim card cutting and scoring machine from 1889, capable of producing up to 100,000 visiting and business cards a day
Jim Pallas (born 1941) is an American sculptor known for his electro-kinetic sculptures. [1] [2] “Zany, surrealistic, and ingenious in their construction, Mr. Pallas' work ushers us into the gaudy baroque phrase of kinetic art, as emanations of Paul Klee's Twittering Machines come back to haunt us in the language of our bizarre technology.” [3] Pallas is one of the pioneers in electronic ...
George Rhoads (January 27, 1926 – July 9, 2021) was a contemporary American painter, sculptor and origami master. He was best known for his whimsical audiokinetic sculptures in airports, science museums, shopping malls, children's hospitals, and other public places throughout the world.
The Gateway Arch is a 630-foot-tall (192 m) monument in St. Louis, Missouri, United States.Clad in stainless steel and built in the form of a weighted catenary arch, [5] it is the world's tallest arch [4] and Missouri's tallest accessible structure.
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