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Magnet Records was a British record label, started in 1973 by Michael Levy and Peter Shelley. It was acquired by Warner Bros. Records in 1988 for an estimated £10m. Artists on the label included Alvin Stardust , Stevenson's Rocket, Matchbox , Adrian Baker , Silver Convention , Guys 'n' Dolls , Darts , Kissing the Pink , Bad Manners , David D ...
The American Record Company produced records made of blue shellac for their flagship label, although pressings for client labels were made in standard black. [citation needed] Unusual colors, and even multi-colored shellac first appeared in the 1910s on such labels as Vocalion Records.
In the production of phonograph records – discs that were commonly made of shellac, and later, vinyl – sound was recorded directly onto a master disc (also called the matrix, sometimes just the master) at the recording studio. From about 1950 on (earlier for some large record companies, later for some small ones) it became usual to have the ...
Silver Convention. Alvin Stardust. Categories: Recording artists by label. Recording artists by British label.
Lenticular printing is a technology in which lenticular lenses (a technology also used for 3D displays) are used to produce printed images with an illusion of depth, or the ability to change or move as they are viewed from different angles. Examples include flip and animation effects such as winking eyes, and modern advertising graphics whose ...
the Magnetic Fields chronology. Get Lost. (1995) 69 Love Songs. (1999) i. (2004) 69 Love Songs is the sixth studio album by American indie pop band the Magnetic Fields, released on September 7, 1999, by Merge Records. As its title indicates, 69 Love Songs is a three-volume concept album composed of 69 love songs, all written by Magnetic Fields ...
The flexi disc (also known as a phonosheet, Sonosheet or Soundsheet, a trademark) is a phonograph record made of a thin, flexible vinyl sheet with a molded-in spiral stylus groove, and is designed to be playable on a normal phonograph turntable. Flexible records were commercially introduced as the Eva-tone Soundsheet in 1962.
RIAA equalization is a form of pre-emphasis on recording and de-emphasis on playback. A recording is made with the low frequencies reduced and the high frequencies boosted, and on playback, the opposite occurs. The net result is a flat frequency response, but with attenuation of high-frequency noise such as hiss and clicks that arise from the ...
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