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It was designed to emulate the mid-range response of a Marshall stack. [2] The HM-2 is based on Boss's DS-1. Despite achieving moderate success in the glam metal scene, the pedal was discontinued in 1991; it was succeeded by the HM-3 Hyper Metal and MT-2 Metal Zone, the latter of which became a commercial success and top-selling Boss pedal. [2]
In 2008, Marshall honoured Lemmy Kilmister of Motörhead with their first-ever signature bass amplifier head, based on his 100 watt super bass unit "Murder One". [ 21 ] There are also solid-state models called MB series [ 22 ] ranging from 15 watts to 450 watts and extension cabinets.
YMF289 (OPL3-L) — low power variant of YMF262, used on some sound cards. YM2203 (OPN) — used on arcade systems. YM2608 (OPNA) — used on Nec PC-88/98 computer series. YM2610 (OPNB) — used on Neo Geo console. YM2612 (OPN2) — used in Sega's Mega Drive/Genesis game console and Fujitsu's FM Towns computer series.
Fender Bass VI [19] (now reissued as Squier Classic Vibe Series) Fender Bullet Bass; Fender Coronado Bass; Fender Musicmaster Bass [20] Fender Performer Bass; Fender Prophecy II Bass; Fender Starcaster Bass; Fender Telecaster Bass [21] (replaced as Squier Vintage Modified Precision Bass TB then Classic Vibe '50s Precision Bass) Fender Zone Bass ...
The Marshall Bluesbreaker is the popular name given to the Models 1961 and 1962 guitar amplifiers made by Marshall from 1964/65 to 1972. The Bluesbreaker, which derives its nickname from being used by Eric Clapton with John Mayall & The Bluesbreakers , is credited with delivering "the sound that launched British blues -rock in the mid-1960s."
Each pedal was meant to imitate the sound of a particular Marshall amplifier. The trio was discontinued one year afterwards in 1992. [26] The Shredmaster has a lot in common with Marshall's Guv’nor pedal, with the first half of both circuits being nearly identical.
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