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Montserrat (typeface) Montserrat is a geometric sans-serif typeface designed by Argentine graphic designer Julieta Ulanovsky and released in 2011. It was inspired by posters, signs and painted windows from the first half of the twentieth century, seen in the historic Montserrat neighbourhood of Buenos Aires. [1]
Download as PDF; Printable version; ... The "Included from" column indicates the first edition of Windows in which the font was included ... Bold, Italic, Bold Italic ...
EB Garamond is a free and open source implementation of Claude Garamond’s typeface, Garamond, and the matching Italic, Greek and Cyrillic characters designed by Robert Granjon. Its name is a shortening of Egenolff–Berner Garamond which refers to the fact that the letter forms are taken from the Egenolff–Berner specimen printed in 1592.
Noto is a font family comprising over 100 individual computer fonts, which are together designed to cover all the scripts encoded in the Unicode standard. As of October 2016, Noto fonts cover all 93 scripts defined in Unicode version 6.1 (April 2012), although fewer than 30,000 of the nearly 75,000 CJK unified ideographs in version 6.0 are covered.
Palatino and Aldus compared in digital versions. The differences are quite subtle. Aldus is an old-style serif design, popular for use in book printing. Compared to Palatino, released some years earlier, it has a more condensed design lighter in colour, more graceful and refined and better suited to the high average quality of book printing.
The fonts implement almost the whole of the Multilingual European Subset 1 of Unicode. Also provided are keyboard handlers for Windows and the Mac, making input easy. They are based on fonts designed by URW++ Design and Development Incorporated, and offer lookalikes for Courier, Helvetica, Times, Palatino, and New Century Schoolbook.
Emphasis (typography) Example of black letter emphasis using the technique of changing fonts. In typography, emphasis is the strengthening of words in a text with a font in a different style from the rest of the text, to highlight them. [1] It is the equivalent of prosody stress in speech.
In Latin script typography, roman is one of the three main kinds of historical type, alongside blackletter and italic. Sometimes called normal, it is distinct from these two for its upright style (relative to the calligraphy-inspired italic) and its simplicity (relative to blackletter). During the early Renaissance, roman (in the form of ...
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