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The 1959 (Marshall's identifying numbers are not years of manufacture), produced from 1965 to 1976 (when it was replaced by the 2203 "Master Volume" ), [ 1] is an amplifier in Marshall's "Standard" series. [ 2] It was designed by Ken Bran and Dudley Craven after The Who 's guitarist Pete Townshend asked Marshall for a 100 watt amplifier. [ 3]
In 2016, Marshall introduced the CODE series of modelling amplifiers, ranging from the 25-watt Code 25 (single 10-inch speaker), 50-watt (single 12-inch speaker) to the 100-watt Code 100 (available as either a 2×12-inch combo or as a head unit).
The JCM800 series (Models 2203, 2204, 2205, and 2210) is a line of guitar amplifiers made by Marshall Amplification. The series was introduced in 1981. Although models 1959 and 1987 had been in production since 1965 and the 2203 and 2204 had been in production since 1975, they were redesigned and introduced as JCM800 amplifiers in 1981.
The Marshall Major (Model 1967 [ 1]) was a bass guitar amplifier made by Marshall. It was introduced in 1967 as the "Marshall 200" (in reference to the power of the amplifier). It had a plexi panel and two inputs in one channel, but in contrast with the 100 watt heads made by Marshall, the first series had split tone controls similar to the ...
Sound City and the invention of Hiwatt amplifiers. Pete Townshend smashing a Gibson SG. Behind him are a set of Hiwatt amps. Both were a staple ingredient of The Who's sound between 1969 and 1972. John Entwistle traded in his Marshall Stacks in favour of Sound City at the beginning of 1967, and Townshend followed later that year.
The Marshall Bluesbreaker is the popular name given to the Models 1961 and 1962 guitar amplifiers made by Marshall from 1964/65 to 1972. The Bluesbreaker, which derives its nickname from being used by Eric Clapton with John Mayall & The Bluesbreakers, is credited with delivering "the sound that launched British blues -rock in the mid-1960s." [ 1]
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