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The Transfiguration of Jesus has been an important subject in Christian art, above all in the Eastern church, some of whose most striking icons show the scene. The Feast of the Transfiguration has been celebrated in the Eastern church since at least the 6th century and it is one of the Twelve Great Feasts of Eastern Orthodoxy, and so is widely ...
In Christian iconography, Christ Pantocrator ( Greek: Χριστὸς Παντοκράτωρ) [1] is a specific depiction of Christ. Pantocrator or Pantokrator, literally ruler of all, but usually translated as "Almighty" or "all-powerful", is derived from one of many names of God in Judaism . The Pantokrator is largely an Eastern Orthodox or ...
The Feast of the Transfiguration is celebrated by various Christian communities in honor of the transfiguration of Jesus. The origins of the feast are less than certain and may have derived from the dedication of three basilicas on Mount Tabor. [ 1] The feast was present in various forms by the 9th century, and in the Western Church was made a ...
Christ Pantocrator of Saint Catherine's Monastery is one of the oldest Byzantine religious icons, dating from the 6th century AD. [ 1] The earliest known surviving depiction of Jesus Christ as Pantocrator (literally ruler of all ), it is regarded by historians and scholars among the most important and recognizable works in the study of ...
Acheiropoieta ( Medieval Greek: αχειροποίητα, 'made without hand'; singular acheiropoieton) — also called icons made without hands (and variants) — are Christian icons which are said to have come into existence miraculously; not created by a human. Invariably these are images of Jesus or the Virgin Mary.
The image formed part of the subject of the Mass of Saint Gregory; by 1350 the Roman icon was being claimed as a contemporary representation of the vision. [5] In this image the figure of Christ was typical of the Byzantine forerunners of the Man of Sorrows, at half length, with crossed hands and head slumped sideways to the viewer's left.
Meeting of the Lord, Russian Orthodox icon, 15th century. The event is described in the Gospel of Luke (Luke 2:22–40).According to the gospel, Mary and Joseph took the Infant Jesus to the Temple in Jerusalem forty days (inclusive) after His birth to complete Mary's ritual purification after childbirth, and to perform the redemption of the firstborn son, in obedience to the Torah (Leviticus ...
The Orthodox icon of the Nativity uses certain imagery parallel to that on the epitaphios (burial shroud of Jesus) and other icons depicting the burial of Jesus on Good Friday. This is done intentionally to illustrate the theological point that the purpose of the Incarnation of Christ was to make possible the Crucifixion and Resurrection.
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