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Signature. Ella Wheeler Wilcox (November 5, 1850 – October 30, 1919) was an American author and poet. Her works include the collection Poems of Passion and the poem "Solitude", which contains the lines "Laugh, and the world laughs with you; weep, and you weep alone." Her autobiography, The Worlds and I, was published in 1918, a year before ...
1883. (TV series) 1883 is an American Western drama miniseries created by Taylor Sheridan that premiered on December 19, 2021, on Paramount+. The series stars Tim McGraw, Faith Hill, Sam Elliott, Isabel May, LaMonica Garrett, Marc Rissmann, Audie Rick, Eric Nelsen, and James Landry Hébert. The story is chronologically the first of several ...
The poem on a gravestone at St Peter’s church, Wapley, England. " Do not stand by my grave and weep " is the first line and popular title of the bereavement poem " Immortality ", presumably written by Clare Harner in 1934. Often now used is a slight variant: "Do not stand at my grave and weep".
In 1883, English painter Walter Langley created "For Men Must Work and Women Must Weep", a watercolour painting based on Kingsley's poem. The song (as arranged by Hullah) was a frequently sung by popular vocalists such as Antoinette Sterling and Charlotte Sainton-Dolby , each of whom gave distinctly different interpretations.
The item is currently in the collection of the Fitzwilliam Museum. [1] In rhetoric, an anaphora ( Greek: ἀναφορά, "carrying back") is a rhetorical device that consists of repeating a sequence of words at the beginnings of neighboring clauses, thereby lending them emphasis. [2] In contrast, an epistrophe (or epiphora) is repeating words ...
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Leaves of Grass (1882)/Memories of President Lincoln/When Lilacs Last in the Dooryard Bloom'd at Wikisource. " When Lilacs Last in the Dooryard Bloom'd " is a long poem written by American poet Walt Whitman (1819–1892) as an elegy to President Abraham Lincoln. It was written in the summer of 1865 during a period of profound national mourning ...
The Surrender Tree has been viewed by many and seen as a powerful book of poems. The Horn Book Magazine writes “A powerful narrative in free verse...haunting.” “Hauntingly beautiful, revealing pieces of Cuba’s troubled past through the poetry of hidden moments” said School Library Journal.